Sandi Patty returns to Oklahoma

Pat Gilliand reviewed the concert in The Oklahoman. She shares more thoughts from the event below.

Part of the proof of the power of the Sandi Patty and Friends event is that it made me want to tell others about it. And what better way than to write a brief review? That’s what I found myself thinking during and  after Tuesday’s concert at Crossings  Community Church. But I didn’t realize just how brief it would have to be! So, here’s at least some of the rest of the story. I didn’t take notes, but the impressions remain strong.

Patty has a magnificent voice and stage presence. Especially on favorite hymns and the many songs of praise  she recorded, the  sound seems to flow from her soul. I loved a medley that included some of her early hits, including “Let There Be Praise,” “Hosanna” and “In the Name of the Lord.”  She said the people who knew the words to those songs  were showing their age. But moments later, Miss America Katie  Stam, probably less than half Patty’s age, proved that wrong. Stam said she grew up singing Patty’s early songs around the piano with her siblings and parents.

Stam was amazing. I was not aware of her story, including how bold she is in her faith. The fact that she sang “Via Dolorosa,” a  gripping song about Christ’s crucifixion, as her talent for the pageant hadn’t caught my attention. But I was impressed to hear her say that when  interviewers questioned her about choosing such a “risky” song, she didn’t back away from its message. (She could have said it’s just a powerful song that showcases her focal range and expressiveness, which also is true.) When Stam and Patty performed “Via Dolorosa” as a duet, it was beyond description. Both women sang as if they owned the song and its message, and the power of that message was magnified as they traded solos and then shared harmonies.

I didn’t think that moment could be matched, but then another of Patty’s friends arrived on stage. I’d never heard  of Anita  Renfroe, but I’m a fan now. The Atlanta-based mother of three and wife of a former pastor describes her performance as musical comedy. The humor is irresistible and infectious. Her favorite  subjects seem to be motherhood,  weight  and sex. She wraps them in  amazingly tasteful hilarity. And her songs: Between the words and the performance, I was rolling over in my pew!

Patty’s friends for the night also included Brian and Kim Tabor,  a  talented  duo from Indiana who led  worship at the start and also performed a  song midway.

It was also a night for family, as this  concert was a homecoming for Patty, an Oklahoma City native who recently moved to the Deer Creek area after living most of her life out of state. Her duet of the “The Prayer” with her husband, Don Peslis, was powerful, and a duet with one of her daughters, a student at the University of Central Oklahoma’s new Academy of Contemporary Music, was poignant.

Bridging the gap between  family and friends were the program participants from Crossings Community Church, where Patty and her family are now members. The choir  and music minister/instrumentalist George Skramstad provided joy as well as accompaniment throughout and were frequently acknowledged by Patty. As mentioned in the published review,  the concert was  a benefit for White  Fields, a Piedmont home  for neglected and abused boys. The ministry was founded by Tom Ward, a Crossings member, and its houseparents also are Crossings members.

For all the words that I’ve written, I still have to say this is one of those events that my words are inadequate to describe. You really just have to be there and experience it. And again, part of the proof of the value of being there  is in the fact  that   I’m even trying to describe it!



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Comments

It’s nice to see the former religion editor in print once more and in blog-mode.

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