DVD review: Ruby-Spears Superman
The 1988 “Superman” animated series was the first version of the character to come to television since comic-book writer/artist John Byrne’s noted revamp of the character in the 1986 “Man of Steel” miniseries. In the new “Superman” comic-book line, Byrne and writer Marv Wolfman introduced the idea of Lex Luthor as a corrupt industrialist instead of mad scientist. That characterization is followed up here, as Wolfman was the animated series’ head story editor.
Even though the Christopher Reeve film series was over by the time this series aired, after the dismal failure of 1987’s “Superman IV,” the 1988 animated series still paid homage to those films. Luthor’s assistant, Jessica Morganberry, is a version of the film’s Miss Tessmacher, and Luthor, though an industrialist, speaks in a manner consistent with Gene Hackman’s Luthor from the films. Furthermore, the theme song for the Ruby-Spears “Superman” uses a bit of the famous John Williams “Superman” score. The series calls back to Superman’s past in another way, too: The opening narration was the same as the 1950s “Adventures of Superman” television show.
Superman/Clark Kent was voiced by Tulsa-born Beau Weaver, who later voiced Mr. Fantastic in the 1990s “Fantastic Four” animated series.
Each episode of “Superman” featured an 18-minute Superman adventure followed by a 4-minute segment called “Superman’s Family Album,” which touched on his days as a youngster in Smallville.
While “Superman,” produced by Ruby-Spears, only lasted one season, it provided an intermediate step between the silliness of the “Super Friends” of the 1970s and the more modern take of the 1990s series.
— Matthew Price
From Friday’s The Oklahoman
Oklahoma writer Sterling Gates creates World’s Finest team-ups
World’s Finest #1, kicking off a miniseries teaming Superman and Batman family characters, is in stores today, written by Tulsa native Sterling Gates.
At DC Comics’ official “Source” blog, Gates is called a “writer to watch.”
“Gates has made a name for himself for his tight plotting and knack for strong and precise characterization,” blogger Alex Segura writes.
Meanwhile, at Newsarama, Vaneta Rogers has an extended Q&A with Gates about the series.
“The Batman universe is so full of change right now. So is the Superman universe,” Gates tells Newsarama. “Bruce Wayne is dead and Superman has left the planet Earth to be with his own people on New Krypton. The world is suddenly without its two greatest heroes. To me, that makes it a very exciting time for the DC Universe. You’re seeing new and different characters come to the forefront and stepping up to fill the void left with Superman and Batman gone.”
Gates talked to Nerdage back in September about the project:
“Each issue focuses on a different Batman-Universe hero and villain teaming up with a different Superman-Universe hero and villain,” Gates said. “So, you’re getting four great characters coming into conflict, and you just have to sit back and watch the fireworks.”
Gates said ” World’s Finest” also has some of his “all-time favorite villains.”
“Catwoman’s in there, Mr. Freeze, Penguin, Kryptonite Man, Toyman,” he said. “It’s gonna take all of these heroes working together to rein these supervillains in!”
- Matt Price
NewsOK Comics Podcast: Incredible Hulk 602, Supergirl 46, Justice League 38
Matt Price and Kyle Roberts provide comic-book reviews for Incredible Hulk 602, Supergirl 46 and Justice League 38 in this week’s NewsOK Comics Podcast. It’s Hulk vs. Wolverine: The Next Generation in “Incredible Hulk” No. 602. The Hunt for Reactron ends in Supergirl 46. And James Robinson (”Starman”) begins his run on “Justice League of America” in issue No. 38.
NewsOK Comics Podcast: Adventure Comics 2, Dark Avengers/X-Men Exodus, Muppet Robin Hood 4, Ultimate Comics Avengers 2
The Muppets recreate the Robin Hood legend, Marvel’s Dark Reign continues, and Superboy discovers more about himself in this week’s comics.
Whiteout writer Greg Rucka joins Oklahoma native Sterling Gates in Hunt for Reactron
LOS ANGELES — A U.S. Marshal investigating a murder at the bottom of the world is the premise of “Whiteout,” the graphic novel by Greg Rucka and Steve Lieber, which was adapted into a motion picture starring Kate Beckinsale.
The comic-book limited series “Whiteout” from Oni Press was a big success in late 1990s. The sequel, “Whiteout: Melt,” nabbed the Eisner Award for best limited series.
At the press conference for the film “Whiteout,” Rucka said it’s an honor to see his creation make the jump to the silver screen, as a lot of comic books and graphic novels never make that jump.
“I’m still in awed shock that it made it this far, honestly,” Rucka said. “Steve Lieber and I created a comic to tell the story we wanted to tell. … All you can really be is incredibly flattered that this idea that you created in one format, because that was the format that you were working in, is something that somebody wants to take the time and the effort to translate.”
This month, Rucka’s moving from the icy wasteland of “Whiteout” to the heated action of “The Hunt for Reactron.”
The four-part crossover between “Action Comics” and “Supergirl” follows the “Codename: Patriot” storyline and features Supergirl, Nightwing and Flamebird on the hunt for Reactron, the villain who killed Supergirl’s father, Zor-El.
Supergirl and Flamebird, best friends in childhood, have been at odds since Zor-El’s death. But both want 
the man who killed Zor-El brought to justice. This Nightwing isn’t Dick Grayson, but is Chris Kent, Superman’s adopted son.
Rucka is co-writing the crossover with “Supergirl” writer Sterling Gates, a University of Oklahoma graduate.
“Sterling is fantastic, he’s a great collaborator,” Rucka said at the “Whiteout” film junket. “I’m loving writing with Sterling. He and I are doing two issues of ‘Action’ (and) two issues of ‘Supergirl’ together.”
The crossover begins in Wednesday’s “Action Comics” 881 and continues in “Supergirl” 45, on sale Sept. 23. The story concludes in October’s issues of “Action Comics” and “Supergirl.”
- By Matthew Price
From Friday’s The Oklahoman
DC Comics becomes DC Entertainment
Warner Bros. Entertainment Inc. announced today that it has formed DC Entertainment Inc., a company which will aim to utilize the DC Comics characters across all media. Diane Nelson, who has been shepherding the Harry Potter properties for Warner Bros., will run the company. Paul Levitz, DC Comics’ Publisher and President since 2002, will step into a consulting role. Nelson will report directly to Jeff Robinov, President, Warner Bros. Pictures Group.
On the heels of the Marvel-Disney news, this means both the comic-book direct sales market’s major publishers have undergone huge changes in a matter of days. This restructuring looks like an effort to more fully utilize DC Comics’ properties in film, television and more, and in fact the success of “Dark Knight” seems to have sped up the desire to act on these properties. Among DC properties in some stage of development as films are the Western “Jonah Hex,” the intergalactic “Green Lantern” and the brash “Lobo.”
The release states that publishing will remain the core of DC Entertainment, and I’m sure that’s what comics fans want to hear.
Check out the full release after the break.
NewsOK Comics Podcast: Ultimate Comics Spider-Man 2, Supergirl Annual 1, Torch 1
Things light up with Torch #1, and it’s the end of the world as we know it in Ultimate Comics Spider-Man #2. In Supergirl Annual 1, find out the origin of Superwoman and visit a day in the life of Linda Lang.
- Matt Price
New Swamp Thing movie may be in 3-D
LOS ANGELES — At the press conferences for “Whiteout,” producer Joel Silver talked briefly about another comic-book movie that has been long in development. When asked what movies might work well in 3-D, he mentioned a new version of the DC Comics property “Swamp Thing.”
“I’ll hopefully do Swamp Thing, which is a movie we’ve had for a long time,” Silver said. “We think that would definitely be great to do in 3-D.”
Silver said some movies do work well in 3-D, and others might not, and it’s still early enough in the development of new 3-D technology that it’s important to pick and choose.
“Certain movies fit really well into that situation, and others don’t need it,” he said.
Len Wein said in 2004 he was working on a script to a “Swamp Thing” film.
“Swamp Thing” was created by Wein and Bernie Wrightson. Alec Holland was transformed into a crusading force for the swamp in moody, atmospheric comics by Wein and Wrightson in the 1970s. Writer Alan Moore turned the concept inside out during his influential run on the character in the 1980s.
The character inspired two films and a TV series, in which the muck monster was played by Dick Durock.
- Matt Price
Blackest Night putting retailers in the black
WORD BALLOONS
DC Comics announced this week that it has sold out of “Blackest Night” No. 1, which kicked off the zombie-thriller superhero tale by Geoff Johns.
A second printing will be in stores Sept. 16, along with “Blackest Night” No. 3. “Blackest Night” No. 2 is in stores now. Local stores say the issue is moving well from their shelves as well.
“It’s our bestselling comic,” said Brian “Buck” Berlin of New World Comics in Oklahoma City. He said the black ring promo, which allowed stores to order a plastic “Black Lantern” ring with every issue, helped raise awareness of the series.
“We’ve ordered more of it than any other comic, and we’re still selling out of it,” said Eric Neal, an owner of Second Chance Books and Comics in Warr Acres.
Geoff Johns to co-write Shazam script
Writer/actor Bill Birch and comic book author Geoff Johns have been hired to write a script for a film adaptation of “Shazam!” according to The Hollywood Reporter.
“Shazam!” is the story of young Billy Batson, who turns into the superhero Captain Marvel when he says the word “Shazam!” Shazam, the wizard who gives Billy his powers, is also an acronym for the heroes whose powers Captain Marvel bears: the wisdom of Solomon, the strength of Hercules, the stamina of Atlas, the power of Zeus, the courage of Achilles and the speed of Mercury.
Johns was also recently announced as a writer and producer on the film adaptation of DC Comics’ “Flash.”
- Matt Price
