Aquaman shrine promotes Brave and Bold 32
The Aquaman Shrine is going all-out in promoting the Aquaman-Demon team up in “Brave and Bold” No. 32, featuring the classic Aquaman teamed up with Etrigan, the Demon.
The issue, written by J. Michael Straczynski and drawn by Jesus Saiz, is set for February release:
Straczynski says at the Aquaman Shrine:
You can draw a line of comparison between Aquaman and the lead character in the Dune books: both royalty of a sort, both commanding vast creatures that live beneath the surface, and both living in an environment hostile to normal humans (with the reverse approach, extremely dry instead of extremely wet). If you look at what they’ve been able to do with the Dune books, you know there has to be more you can do with Aquaman. It just takes the right approach.
How does the “Brave and Bold” issue tie into Blackest Night, and what are Straczynski’s other plans for the character? Click over to the Aquaman Shrine for answers.
Some details of Sterling Gates’ Kid Flash run revealed
At Newsarama, Dan Didio talked about the upcoming “Kid Flash” series to be written by Sterling Gates. He revealed Gates will be working closely with Geoff Johns to keep continuity among the “Flash” franchise.
He also revealed (SPOILER WARNING) that Max Mercury would appear in the series.
Didio says at Newsarama:
I think Sterling’s already doing such a great job on Supergirl, and he’ll bring a lot of those same sensibilities to Kid Flash. That’s one of the reasons we chose him for that series. Also, you’ll still see the dynamic between Kid Flash and Max Mercury, if I’m not mistaken. And I think that’s new information, so you did get something out of me. But Max will be featured in this series as well. So if somebody’s a fan of Impulse, they’ll get that relationship back in the Kid Flash series. Because of the Max/Bart relationship, I think they’ll be very pleasantly surprised about what the plans are for the book.
Kid Flash looks to be a great fit for what Gates does well, and I look forward to seeing what’s in store for the series!
- Matt Price
Supergirl #50 to feature Michael Turner, Helen Slater
Tulsa-born writer Sterling Gates is joined by two Supergirl superstars for “Supergirl” No. 50. Artwork from the late Michael Turner will be the cover of “Supergirl” No. 50. A back-up story will be written by “Supergirl” actress Helen Slater and Jake Black. 
As revealed in the Superman family solicitations at Newsarama.com, the issue is set for release on Feb. 17 and will run 56 pages for $4.99. Joshua Middleton, the series’ regular artist, will provide a 1-in-10 variant cover for the issue.
It’s the second “Supergirl” news featuring Slater in recent weeks. The actress also provided the introduction to “Supergirl: Who Is Superwoman?,” the collection of “Supergirl” issues by Gates and artist Jamal Igle released this week.
- Matt Price
Character makes Savage return to comics
Doc Savage is making his way back to comics. The once wildly popular pulp character co-stars with Batman in the one-shot “Batman/Doc Savage” this week.
Brian Azzarello (“100 Bullets”) is the writer of the “Batman/Doc Savage” Special, illustrated by Phil Noto.
Doc Savage has a long history in comic books, pulp magazines, radio and even movies.
Moore author Mel Odom said Doc Savage was among his favorites as a youngster.
“I grew up on the character — tougher than Tarzan, braver than Batman,” he said. “(I) took my younger brothers to see the 1975 George Pal ‘Doc Savage’ movie.”
And Doc Savage could return to the silver screen as well. Aintitcoolnews.com recently reported Shane Black (“Lethal Weapon”) was working on a Doc Savage script.
Through his worldwide jaunts, Doc Savage came at least twice to the Sooner State.
“At least two Doc novels take place in Oklahoma, ‘The Secret in the Sky,’ May 1935, and ‘The Derrick Devil,’ February 1937,” said Larry Latham, pulp fiction expert and creator of the “Lovecraft Is Missing” Web comic.
Doc Savage was an adventurer and scientist who had globe-spanning adventures with his band of assistants.
Lester Dent wrote most of the 181 novels featuring Doc Savage, which were released under the Street & Smith “house name” of Kenneth Robeson. And Dent had even closer ties to Oklahoma than his “Man of Bronze” character.
Though Dent was born in La Plata, Mo., Latham said Dent lived and worked in Oklahoma from 1925 to late 1930, in Bartlesville, Ponca City, Chickasha and Tulsa.
“In Tulsa, he worked for The Associated Press office at the Tulsa World,” Latham said in an e-mail. Latham said articles by Will Murray, Dent’s literary executor and biographer and a personal friend of Dent’s wife, Norma, indicated that during this time Dent was an avid reader of the pulp magazines.
“He worked midnight to 8 a.m. and read a lot of pulps,” Latham said. “One of his co-workers, Lester Foster, sold a story, and so Dent took up writing as a way to make some extra money.”
He wrote 13 stories before selling his first to Street & Smith in 1929, living in Tulsa and working at The Associated Press, and also as a telegrapher at a Tulsa stock brokerage until 1930.
Dell Publishing in New York offered Dent a full-time job writing in late 1930, Latham said, and the Dents moved there. Not too long after, Street & Smith hired him to write Doc Savage.
In addition to Doc Savage, Dent wrote a variety of other pulp genres before his death on March 11, 1959. But there was one genre of which he wasn’t particularly fond.
Murray quotes him as saying: “I was raised on a ranch. Now wouldn’t I be crazy to go writing about something I knew all about?”
by Matthew Price
From Friday’s The Oklahoman
DVD review: Ruby-Spears Superman
The 1988 “Superman” animated series was the first version of the character to come to television since comic-book writer/artist John Byrne’s noted revamp of the character in the 1986 “Man of Steel” miniseries. In the new “Superman” comic-book line, Byrne and writer Marv Wolfman introduced the idea of Lex Luthor as a corrupt industrialist instead of mad scientist. That characterization is followed up here, as Wolfman was the animated series’ head story editor.
Even though the Christopher Reeve film series was over by the time this series aired, after the dismal failure of 1987’s “Superman IV,” the 1988 animated series still paid homage to those films. Luthor’s assistant, Jessica Morganberry, is a version of the film’s Miss Tessmacher, and Luthor, though an industrialist, speaks in a manner consistent with Gene Hackman’s Luthor from the films. Furthermore, the theme song for the Ruby-Spears “Superman” uses a bit of the famous John Williams “Superman” score. The series calls back to Superman’s past in another way, too: The opening narration was the same as the 1950s “Adventures of Superman” television show.
Superman/Clark Kent was voiced by Tulsa-born Beau Weaver, who later voiced Mr. Fantastic in the 1990s “Fantastic Four” animated series.
Each episode of “Superman” featured an 18-minute Superman adventure followed by a 4-minute segment called “Superman’s Family Album,” which touched on his days as a youngster in Smallville.
While “Superman,” produced by Ruby-Spears, only lasted one season, it provided an intermediate step between the silliness of the “Super Friends” of the 1970s and the more modern take of the 1990s series.
— Matthew Price
From Friday’s The Oklahoman
Oklahoma writer Sterling Gates creates World’s Finest team-ups
World’s Finest #1, kicking off a miniseries teaming Superman and Batman family characters, is in stores today, written by Tulsa native Sterling Gates.
At DC Comics’ official “Source” blog, Gates is called a “writer to watch.”
“Gates has made a name for himself for his tight plotting and knack for strong and precise characterization,” blogger Alex Segura writes.
Meanwhile, at Newsarama, Vaneta Rogers has an extended Q&A with Gates about the series.
“The Batman universe is so full of change right now. So is the Superman universe,” Gates tells Newsarama. “Bruce Wayne is dead and Superman has left the planet Earth to be with his own people on New Krypton. The world is suddenly without its two greatest heroes. To me, that makes it a very exciting time for the DC Universe. You’re seeing new and different characters come to the forefront and stepping up to fill the void left with Superman and Batman gone.”
Gates talked to Nerdage back in September about the project:
“Each issue focuses on a different Batman-Universe hero and villain teaming up with a different Superman-Universe hero and villain,” Gates said. “So, you’re getting four great characters coming into conflict, and you just have to sit back and watch the fireworks.”
Gates said ” World’s Finest” also has some of his “all-time favorite villains.”
“Catwoman’s in there, Mr. Freeze, Penguin, Kryptonite Man, Toyman,” he said. “It’s gonna take all of these heroes working together to rein these supervillains in!”
- Matt Price
NewsOK Comics Podcast: Incredible Hulk 602, Supergirl 46, Justice League 38
Matt Price and Kyle Roberts provide comic-book reviews for Incredible Hulk 602, Supergirl 46 and Justice League 38 in this week’s NewsOK Comics Podcast. It’s Hulk vs. Wolverine: The Next Generation in “Incredible Hulk” No. 602. The Hunt for Reactron ends in Supergirl 46. And James Robinson (”Starman”) begins his run on “Justice League of America” in issue No. 38.
NewsOK Comics Podcast: Adventure Comics 2, Dark Avengers/X-Men Exodus, Muppet Robin Hood 4, Ultimate Comics Avengers 2
The Muppets recreate the Robin Hood legend, Marvel’s Dark Reign continues, and Superboy discovers more about himself in this week’s comics.
Whiteout writer Greg Rucka joins Oklahoma native Sterling Gates in Hunt for Reactron
LOS ANGELES — A U.S. Marshal investigating a murder at the bottom of the world is the premise of “Whiteout,” the graphic novel by Greg Rucka and Steve Lieber, which was adapted into a motion picture starring Kate Beckinsale.
The comic-book limited series “Whiteout” from Oni Press was a big success in late 1990s. The sequel, “Whiteout: Melt,” nabbed the Eisner Award for best limited series.
At the press conference for the film “Whiteout,” Rucka said it’s an honor to see his creation make the jump to the silver screen, as a lot of comic books and graphic novels never make that jump.
“I’m still in awed shock that it made it this far, honestly,” Rucka said. “Steve Lieber and I created a comic to tell the story we wanted to tell. … All you can really be is incredibly flattered that this idea that you created in one format, because that was the format that you were working in, is something that somebody wants to take the time and the effort to translate.”
This month, Rucka’s moving from the icy wasteland of “Whiteout” to the heated action of “The Hunt for Reactron.”
The four-part crossover between “Action Comics” and “Supergirl” follows the “Codename: Patriot” storyline and features Supergirl, Nightwing and Flamebird on the hunt for Reactron, the villain who killed Supergirl’s father, Zor-El.
Supergirl and Flamebird, best friends in childhood, have been at odds since Zor-El’s death. But both want 
the man who killed Zor-El brought to justice. This Nightwing isn’t Dick Grayson, but is Chris Kent, Superman’s adopted son.
Rucka is co-writing the crossover with “Supergirl” writer Sterling Gates, a University of Oklahoma graduate.
“Sterling is fantastic, he’s a great collaborator,” Rucka said at the “Whiteout” film junket. “I’m loving writing with Sterling. He and I are doing two issues of ‘Action’ (and) two issues of ‘Supergirl’ together.”
The crossover begins in Wednesday’s “Action Comics” 881 and continues in “Supergirl” 45, on sale Sept. 23. The story concludes in October’s issues of “Action Comics” and “Supergirl.”
- By Matthew Price
From Friday’s The Oklahoman
DC Comics becomes DC Entertainment
Warner Bros. Entertainment Inc. announced today that it has formed DC Entertainment Inc., a company which will aim to utilize the DC Comics characters across all media. Diane Nelson, who has been shepherding the Harry Potter properties for Warner Bros., will run the company. Paul Levitz, DC Comics’ Publisher and President since 2002, will step into a consulting role. Nelson will report directly to Jeff Robinov, President, Warner Bros. Pictures Group.
On the heels of the Marvel-Disney news, this means both the comic-book direct sales market’s major publishers have undergone huge changes in a matter of days. This restructuring looks like an effort to more fully utilize DC Comics’ properties in film, television and more, and in fact the success of “Dark Knight” seems to have sped up the desire to act on these properties. Among DC properties in some stage of development as films are the Western “Jonah Hex,” the intergalactic “Green Lantern” and the brash “Lobo.”
The release states that publishing will remain the core of DC Entertainment, and I’m sure that’s what comics fans want to hear.
Check out the full release after the break.
