The narrator is guileless, emotionally damaged, relentlessly optimistic Pat Peoples, who finds a weird but genuine opportunity to restart his life from the absolute depths of a mental health disaster and the literal depths of his parents’ basement.  His unique voice is likely to stay with readers for quite a while.  

Pat is a thirtysomething former history teacher, freshly released from a “neural health facility” and determined to reinvent himself and reunite with the wife who has inexplicably left him.  Pat’s jumbled memory of the last few weeks/months/years complicates his efforts, as does the uncomfortable family situation he moves back into at mom and dad’s house in the Philadelphia suburbs. 

The narrator is able to awkwardly reconnect with his parents and brother, but he also hooks up with a new set of unlikely friends, mostly thanks to an obsessive shared love for the Philadelphia Eagles that may verge on its own special form of mental illness.  This brand of fandom is skillfully shown by Quick to cross generational, ethnic, and socioeconomic boundaries, but certainly not gender ones. 

The novel is in part a really moving and often hilarious look at the somewhat stunted emotional lives of sports fans and the women who tolerate them.  The novel’s female characters share varying degrees of dismay and disgust at the relentless chants of “E-A-G-L-E-S! Eagles!!!” that punctuate any gathering of two or more local gentlemen, not unlike the familiar strains of “Boomer Sooner” heard hereabouts.

Pat’s quest for self-improvement begins on the terms established by his estranged English teacher wife, whom he remembers criticizing both his lack of physical fitness and his failure to appreciate the literature she loves and teaches.  Some of the novel’s best and funniest scenes involve his attempts to engage with novels like The Great Gatsby and Catcher in the Rye in order to understand their importance to his wife. 

Pat eventually tries to piece together the meanings of messages he may or may not really be receiving from his wife, from American literature, from God, from his unusual set of new friends, and especially from the demonic smooth-jazz sax blower Kenny G, whose infernal music is possibly the most challenging obstacle to the narrator’s mental health.

The author’s website features interesting biographical information and news, including an update that acclaimed director David O. Russell will soon make the film adaptation of The Silver Linings Playbook.  The site also features a video of the author reading an exerpt from his novel, along with links to reviews and some of his other publications.

One of the most interesting and diverse lists belongs to Super Librarian Nancy Pearl, whose recommendations are posted at NPR.org.  Her selection of “Summer’s Best Books” includes Matthew Quick’s The Silver Linings Playbook, the tale of a released mental patient who quirkily critiques classic fiction like The Great Gatsby and A Farewell to Arms in an effort to impress his estranged English teacher wife.  An unlikely and important subplot involves the obsessive love for the Philadelphia Eagles shared by the main character and his psychiatrist.

NPR.org has a whole section devoted to summer books, with critics’ and readers’ selections in categories like “Books to Keep You Sane on a Family Road Trip” and interesting series like ”My Guilty Pleasure.”  There’s also a list of the summer’s “10 Best Cookbooks” and a reader-generated list of “The Best Beach Books Ever.”

Salon.com’s book section features summer reading recommendations from authors like Neil Gaiman and Michael Connelly, and special sections include listings of highlighted memoirs and thrillers.

Entertainment Weekly’s PopWatch blog has a “Summer Reading List” with tons of reader-contributed suggestions, and USA Today’s “Summer Books Calendar” has dates and blurbs about some hot upcoming titles.

All of these previews and recommendations have driven me to fill up my library reserve list with 30 titles, each seemingly more interesting than the last.  It’s gotten to the point where books arrive on reserve for me and I can’t even remember what compelled me to order them in the first place.  I’m sure I saw some glowing notice about Chandler Burr’s new novel, You or Someone Like You, in one of these previews, but I can’t for the life of me retrace the steps that led me to order this tale of pseudo-academic book clubs and, as the dust jacket describes, “literature’s power to change our lives.”

(It seems a little heavy for beach or lakeside reading, but I’m kind of captivated by the cover.)

Moby Dick and anything by William Faulkner seem to pop up quite often here, along with another one of my own (perhaps) shameful reading omissions, Charles Dickens.  The great Russian novels are well represented as well, especially an imposing Big Three I’ve started and never finished myself: War and Peace, The Brothers Karamazov, and Crime and Punishment. 

Surprisingly, many commenters cop to never having read Lolita while on the other hand greatly enjoying Reading Lolita in Teheran.  Hemingway and Steinbeck are quite well represented on the list as well, and they also appear along with Ayn Rand in more than a few comments in regard to “Books I’ve Actually Read But Wish I Hadn’t.”

Before I end up feeling too guilty on this topic, though, I like to remember the immortal thoughts of Mark Twain:  “A classic is a book that everyone wants to have read but no one wants to read.” 

Commenters also note a few interesting websites where readers can trade unwanted titles with other readers, like bookins.com, paperbackswap.com, and the very nicely designed bookmooch.com.

The book’s subtitle aptly describes the project: In which a forty-eight-year-old father of three returns to kindergarten, summer camp, the prom, and other embarassments.   

Hemley is determined not just to try to change the past in his experiment but to re-think, re-evaluate, and put in perspective childhood failures and regrets.  Rather than indulging in lengthy and costly psychotherapy sessions, Hemley attempted to actually “do-over” a series of events like blowing a line in his elementary school play, settling some scores at summer camp, and overcoming 6th grade bullying.

Through his experiences Hemley becomes a self-described “connoisseur of childhood,” hoping to become a better parent in addition to appreciating the forces that shaped him.  Certain personality types (mine, absolutely) might find this whole idea to be a rabbit-hole that the conscious mind is better off not leaping into.  It might be worth questioning, for instance, whether Hemley’s re-living of certain events somehow cancels the original events out, or to what extent he is actually “living” in the present at all in the midst of his done-over adventures.

Hemley’s book has some really interesting “adult” observations on teaching and learning, dating (he dares to attempt a “Prom Do-Over”), and the disillusionments of college fraternity life.  The extent to which his project is accepted and indulged by the kids and teachers he encounters is fascinating in itself, and the book is also worth reading for anyone who may have forgotten the simple awesomeness of recess.

In between touring ancient ruins and dodging the hordes of tiny Smart Cars that are as ubiquitous in Rome as SUVs are here, I noticed immediately that the Twilight series and Angels and Demons are at least as popular in Italy and Greece as they are in the U.S.

The Angels and Demons movie was prominently advertised on billboards all around town, even within thurible-swinging distance from the Vatican.  Perhaps the official ban on the filmmakers using Roman churches and the threat of a boycott merely acted as effective marketing tools, or else Romans are particularly rabid Dan Brown fans.  Some members of our group especially enjoyed reading the book while we toured sites in the Eternal City mentioned in it, particularly the looming Castel Sant’Angelo.

Equally ubiquitous, especially in Greece, were copies of the Twilight series in all manner of unfamiliar languages.  From convenience stores in highway rest areas to flea market stalls to a kiosk in the Athens airport, the books were everywhere.

I was a little surprised, on the other hand, that hardly anybody could be seen reading on trains and buses or in parks or cafes.  In a book I’ve been reading called The Dark Heart of Italy, by Tobias Jones, a British transplant to Italy, an interesting idea about this is suggested:

I don’t know whether it’s because of the Reformation, which was iconoclastic and “written,” or because Britain has had, on the whole, the better writers and Italy much superior artists, but Italy is a visual country, Britain a literary one. . . . (V)ery few people read newspapers, even fewer buy or borrow books.  A massive percentage of Italian adults don’t read one book a year.  To survive, the edicole–the little pavilions on street corners which sell newspapers–have to double as fetish-shops, selling gadgets and videos and soft- to hard-porn magazines alongside the newsprint.

It’s definitely true that there are more beautiful things to look at in Italy than the eye can seem to take in at once, and I was way too distracted to very often pick up the copy of Homer’s Odyssey I’d brought along for some seemingly geographically appropriate reading.  Once we got to Greece it was awesome to read a few of the poem’s descriptions of the sea and islands and then look up and see them right there, but more often I was just staring out the window of a train or bus and trying to take in all the incredible sights. 

The Smoking Gun has obtained parts of Salinger’s 11-page legal action vs. “John Doe, writing under the name John David California,” and it makes for some fascinating reading.  The copyright infringement complaint versus the “unauthorized sequel” even features several pages of plot summary and analysis of Salinger’s novel in addition to a description of its “extraordinary critical praise.” 

In describing its “extraordinary commercial success,” the legal brief notes that, “As of May 29, 2009 — 58 years after its publication — The Catcher in the Rye currently sells more copies on Amazon.com than Harry Potter and the Sorcerer’s Stone, The DaVinci Code, To Kill a Mockingbird, or Of Mice and Men.”  It also notes Holden Caulfield’s status as a “cultural icon” to whom other literary and pop-culture figures have been compared for almost 60 years.

In another interesting nugget, the brief describes the efforts of “numerous filmmakers — including Harvey Weinstein and Steven Spielberg” to purchase film rights to Salinger’s novel.  The author has always refused to authorize any work derivative of The Catcher in the Rye, and he is quoted as saying, “There’s no more to Holden Caulfield.  Read the book again.  It’s all there.  Holden Caulfield is only a frozen moment in time.” 

The brief concludes, “Salinger’s copyright in The Catcher in the Rye is worth an enormous amount of money and his right of first publication of a sequel is likewise of great monetary value.  His right not to publish a sequel is unquantifiable.”

The Guardian UK’s Oliver Marre helpfully speculates here on a number of other sequels to classics that would be best left alone, and this excellent piece from the same paper’s Stuart Evers describes the project’s ridiculousness thusly: “Its gum-tighteningly awful title can only hint at the disaster lurking within.”

The first class of honorees included such heavy hitters as Catcher in the Rye and The Great Gatsby, the Babe Ruth and Chuck Berry of their particular field of accomplishment.  For this early summer induction ceremony we’ll look a little farther afield for a few deserving but less obvious choices.

John Gall is an influential art designer for Vintage and Anchor books, companies whose book covers are almost always so compelling that I immediately consider buying any reasonably priced used copies of them I find even if I already own other editions.  There’s just something about that Vintage imprint on the spine that screams, “Classy, and you know it!”

Gall’s design for the rather scholarly A General Theory of Love might be the coolest book cover I’ve ever seen:

Designer Evan Gaffney is a book cover creator whose visual style is almost always recognizeable once you’ve seen a collection of his work.  Like the great Chip Kidd, his designs can be wildly different but still retain a totally distinctive element not easily copied by second-rate knockoffs.

Gaffney’s design for One Perfect Day: The Selling of the American Wedding, is about as perfect as it gets:

The cover for James Hawes’s Why You Should Read Kafka Before You Waste Your Life just kills me.  I find myself staring at it for minutes at a time and laughing even the 100th time I glance at it.  As is so often the case with my favorite book covers, it’s the small details that really bring it on home to all-time classic status.  In this case, it’s the cockroach’s crossed legs:

I also feel like I just know exactly what his face looks like . . . but I never will.

Finally, attention must be paid to a cover unearthed by the great FontFeed.com’s “Typodisasters” collection.  It’s not even a typo, really.  It may even be for real, although comments seem to suggest “it’s only a careless library rebind.”  Whether intentional or simply the greatest moment of irony in the history of the English language, this one richly deserves its spot in the Hall of Fame:

The venture seeks to promote intercultural understanding while narrowing the digital divide between nations, and its collection of rare books, maps, musical scores and recordings, photographs, and other cultural materials makes it a pretty amazing resource.

The World Digital Library works closely with UNESCO’s “Memory of the World” project, which preserves archival and library collections around the world in an effort to prevent what the organization calls “collective amnesia.”  The idea for the World Digital Library came from U.S. Librarian of Congress James H. Billington in 2005, and dozens of libraries, archives, foundations, and private companies worldwide have contributed content and resources to the project.

The website is available in seven languages, and content is searchable by continent of origin, time period, and broad topic- and type-of-item catalogs.  A quick glance at the first few items from North American sources finds an 1805 portrait of Thomas Jefferson, a map of Cuba from the 1650s, and a 1493 letter from Christopher Columbus describing his first voyage across the Atlantic.

Other “exhibits” include the 11th century Tale of Genji, a Japanese work considered the first novel ever written; a Description of Egyptian Antiquities from Napoleon’s 1798 expedition to the Pyramids; and a German woodcut edition of Aesop’s Fables from the 15th century.

The World Digital Library is already an awesome research tool and an invaluable repository of worldwide cultural treasures.  It’s also one of the most addictively browse-able websites this side of Videogum and awfulplasticsurgery.com.

These three-hour “In Depth” programs can easily test the patience of book enthusiasts with even the most iron of butts.  I sat down late on a Sunday night to catch a few minutes of Christopher Buckley’s interview mainly to compare his accent and mannerisms with those of his father, the late William F. Buckley, but several fascinating hours later I came to greatly admire the slightly-more-humble, infinitely-more-likeable son.

Buckley’s new memoir describes some of the difficulties of growing up with larger-than-life and often distant parents, but it is hardly a mean-spirited hatchet job.  Affection for his unorthodox and immensely frustrating ”Mum and Pup” shows through Buckley’s anecdotes, many of which focus on the final year of their lives.

In one memorable tale he describes his father struggling with prostate problems late in life, which occasionally led him to urinate out of the open doors and windows of various moving vehicles.  Buckley’s mother, Patricia, was an equally headstrong figure whose difficult relationship with her son finally moved him to utter, “I forgive you,” to her after she had lapsed into a coma on her deathbed.

Buckley’s satirical novels, like Thank You for Smoking, Boomsday, and Supreme Courtship, are especially fun reads for those who appreciate the sport and absurdity of American politics.  I enjoy the hell out of his essays and parodies for magazines like The New Yorker and Esquire, some of which are gathered in the hilarious 1997 collection Wry Martinis.

This excerpt from the book describes a bit of what it was like “Growing Up Buckley.”  This review from the Houston Chronicle relates some details of Buckley’s mother’s legendary rudeness and the author’s rather hilarious struggles to deal with his parents’ dying wishes.  In this piece for The Daily Beast, Buckley describes the furor that erupted after he endorsed Barack Obama in 2008, and he speculates on the reactions he might have received from his late parents.

“No one has yet suggested my dear old Mum should have aborted me, but it’s pretty darned angry out there in Right Wing Land . . . . One thoughtful correspondent, who feels that I have ‘betrayed’—the b-word has been much used in all this—my father and the conservative movement generally, said he plans to devote the rest of his life to getting people to cancel their subscriptions to National Review. But there was one bright spot: To those who wrote me to demand, ‘Cancel my subscription,’ I was able to quote the title of my father’s last book, a delicious compendium of his NR ‘Notes and Asides’: Cancel Your Own Goddam Subscription.”

]]> http://blog.newsok.com/bookmarking/2009/05/22/christopher-buckleys-mum-and-pup/feed/ 2 http://blog.newsok.com/bookmarking/2009/05/19/reading-minds-interview-summer-at-the-library/ http://blog.newsok.com/bookmarking/2009/05/19/reading-minds-interview-summer-at-the-library/#comments Wed, 20 May 2009 02:38:42 +0000 chris carroll http://blog.newsok.com/bookmarking/?p=464 In this NewsOK.com “Reading Minds” video interview, I talked to two of the Metropolitan Library System’s awesome Outreach Coordinators, Emily Williams and Lisa Wood, about the library’s biggest annual event: the Summer at the Library reading program for children and teenagers.

This summer almost 20,000 kids are expected to participate in a variety of reading contests, arts programs, music concerts and other cool activities available for free at all 17 Metropolitan Library locations around Oklahoma County.

The theme of this year’s children’s program is “Be Creative,” and a fantastic variety of music, art, dance, and theater events will be featured at libraries around the county.  For teens, the ”Express Yourself” events include hip hop dance, henna art, and graffitti programs.  Local performers like the Lucky Penny Players and Rhythmically Speaking will also perform at special library programs all through the summer.

This year’s ”Summer at the Library” features more cool music events than ever before, including the first ever Metro Music Fest with acclaimed children’s rock bands from around the country.  On June 9 at the Midwest City Library, the third annual all-ages Wizard Rock Concert presents a lineup of four Harry Potter-inspired bands, including the Remus Lupins and the Whomping Willows, scheduled to rock people’s faces off starting at 6:00 p.m.

The summer library programs are a great way to keep kids reading after the school year is over, and lots of cool prizes are on offer as an extra incentive.  When kids read eight books, 800 pages, or spend eight hours reading, additional prizes are given along with entry into grand prize drawings at the end of the summer and tickets to the Oklahoma City Red Hawks’ “Library Night at the Ballpark” on August 3.

Kids can register at any Metropolitan Library location through June and July, and they’ll receive a cool packet of stuff as soon as they sign up.