Fashion Week fall 2012: Tracy Reese, DKNY, Derek Lam, Carmen Marc Valvo, Zac Posen
By Samantha Critchell/Associated Press Fashion Writer
NEW YORK – It’s time for the well-heeled women who shop from New York Fashion Week runways to pull themselves up by their bootstraps — preferably Christian Louboutins — and carry off clothes rooted in strength, confidence and even toughness.
Even glamorous Victoria Beckham, rarely seen without stilettos on, sent some of her models down the runway Sunday in motorcycle boots. (They were indeed Louboutins.)
The fiercer, fitted looks are a contrast to the flowing, airy silhouettes that dominated the spring season. Adam Glassman, creative director of O, The Oprah Magazine, said it likely is time for something new.
Structured pieces also hang well on racks in stores — and are flattering on many figures, he noted. “The military shapes and jackets give good shape to a woman, from her shoulders to her waist,” he said.
In addition to military influences and menswear looks for women, other themes emerging by Day 4, halfway through the previews for next season, include leather (Derek Lam, Thakoon Panichgul), python prints (big at Carmen Marc Valvo) and other textured fabrics. Skaist-Taylor, the new brand from Juicy Couture founders Pam Skaist and Gela Taylor, used a print they called “cowhide.”
Traditional fall hues like black, loden green, wine and plum have ruled the runways, but white, an unusual choice for the season, has had a strong showing, too. Lela Rose on Sunday showed an ivory silk crepe collared sheath, an ivory silk cloque dress with embroidered shoulders and a white silver mosaic embroidered dress.
DKNY
For her DKNY brand, Donna Karan wrapped up models in high-neck aviator coats and fitted blazers but gave them flirty short skirts with bouncy hemlines. She put them in cozy collars and feminine bow-neck blouses.
Even more diversity came from the textures: embossed crocodile, shiny leather, cozy shearling, sexy sheers and slim twill. When she tired of black, which Karan really never does, she switched to navy, gray or the occasional flash of red.
Tracy Reese
Bold juniper green, lame in gold and violet and a tomato orange lit up Tracy Reese’s runway in pants, dresses, skirts, sweaters and coats long and short.
Reese heavily embellished sleeveless and short-sleeve cocktail dresses with metallic beading front and back. She put feminine fringe on loose, cozy sweaters and combination bowler-baseball caps on the heads of her models.
Much of her outerwear was a crowd pleaser, including a shimmery gold coat belted at the waist. She did another in lemon yellow and a third was cropped with a feminine peplum.
Reese had fun with jacquards, enlarging one in black and white in a cropped jacket and mini skirt. She used colored jacquards and leaf motifs throughout.
Carmen Marc Valvo
Carmen Marc Valvo offered a palette of ivory, black, camel and deep reds and browns, and used illusion effects, with sheaths sparkling in sequins and insets in a suede python print on waists, chests and backs. A python pattern was created from small double-face wool pieces sewn onto netting. He then placed his snake over a silk sheath underlay in champagne.
He included some looks he hopes will land on red carpets this year: a four-ply silk crepe illusion gown in ruby and another of the same style in a lively moss.
Valvo also went full-on fur in an ombre mink patchwork coat in a light camel with a darker back and in wide mink stoles wrapped around the necks of models. He used shaggy black goat fur on the sleeves of a jacket and feathered fox in oatmeal for a sumptuous vest.
A belted ivory coat had simple lines, a similar cut in camel and a cashmere cocktail dress in moss with straight, tight sleeves just above the elbow.
Thakoon Panichgul
Thakoon Panichgul, a favorite of first lady Michelle Obama, designed a line heavy with bright neon colors and rich materials. Panichgul mixed the refined, like a black satin sleeved dress, with the modern — a striking red and orange print he calls “neon beam.”
Red leather, red lipstick and shiny red high heels were also prominent. He paired a fuchsia fur knit sweater with a raspberry patent skirt that had a paper bag waist. He ruched red leather at the biceps and waist for a dress and used a hearts-and-lips print for a jacquard bomber jacket.
The collection was filled with outerwear inspired dresses, from a black satin tuxedo jacket dress to a crinkled deep blue trench coat dress.
Derek Lam
Derek Lam offered lovely chunky but sleeveless sweaters on a cold day, one black, one white, each paired with a long silk georgette evening skirt of the same color.
Lam also had an ivory shearling and a series of nice pea coats, in white or navy wool, or, even warmer, in shearling, plus a black-and-white tweed jacquard coat, paired with black lambskin trousers.
Other practical yet pretty and luxurious looks from Lam included shoes — a gold patent leather oxford and a black lizard oxford with a gold toe. In prints, he favored both a floral satin — in a jacket, a T-shirt, and a coat — and a paisley jacquard, in a black-and-white dress or T-shirt, or a gold-and-black skirt.
Shiny leather also played a prominent role, not only in trousers, but also in dresses — such as a white lambskin dress paired with a black lambskin turtleneck, or a wine-colored cap sleeve lambskin dress, also paired with its own turtle.
Zac Posen
Did Zac Posen spend a sabbatical in the Orient?
The designer’s runway show Sunday at New York Fashion Week was filled with references — both allusive and obvious — to Asian culture for his fall line.
Looks were paired with printed obi belts in a collection rich with jewel tones of dark red, emerald green, shiny gold and deep navy. Red and black large peony blossoms popped on a jacquard dress and separates, a folded lapel jacket and pencil skirt. The models wore their hair in sleek, slicked back buns with heavily lined eyes.
Posen featured a series of his signature, sexy gowns, some with kimono-like wide, draped sleeves. Nearly all the pieces shown in the Lincoln Center tents where Mercedes-Benz Fashion Week is held had mermaid or fishtail hemlines, with fabric flowing and gathering at the model’s knees and feet.
Don’t be surprised to see these silhouettes popping up on red carpets during this awards season. Posen is a favorite in Hollywood, recently dressing model Elle Macpherson in a strapless, tiered ivory gown for the Golden Globes and actress Glenn Close in a black, taffeta-and-tulle gown for the Screen Actors Guild awards — and the Oscars are just a few weeks away.
Fashion Week fall 2012: Tommy Hilfiger
By Samantha Critchell/Associated Press Fashion Writer
NEW YORK — You can convey a refined-yet-sporty elegance with double-breasted coats, suede field jackets and scarf-print silk dresses. Or you could create an elaborate set for a fashion show with a brick-path runway, park benches and ivy-covered walls. Tommy Hilfiger did both.
Not leaving anything to chance Sunday night, Hilfiger brought the hunt club to Park Avenue, creating a set that complemented every look worn by the models. There was a lot of oohing and aahing as the often-jaded crowd of stylists, retailers, editors and celebrities for New York Fashion Week — including Uma Thurman — walked in the door.
“The whole message is town and country,” Hilfiger said in a pre-show interview. “There are country tweeds and a mix of suedes, leather and quilting. It sort of looks like hunting, but it’s not hunting foxes, it’s hunting for fun.”
An uptown element was added through cashmere, fine details such as braiding and a sophisticated color palette rooted in plum, Dijon yellow, navy, dark green and burgundy.
“Fall is rich and luxurious. It’s about quality and detail, fit, form and function. … We are paying a lot of attention to detail. Every pocket lining, every zipper has been thought about,” Hilfiger said.
Other than the obvious military references, Hilfiger also hit on a few of the other trends catching on during Fashion Week, including high necklines that draw the eye upward, long gloves and tactile fabrics. Of course, he said, it’s all been skewed a little to fit his usual preppy aesthetic.
Hilfiger’s womenswear show marked the halfway point of the previews for next season; he debuted his men’s clothes last week. But he’s not quite done yet: He also closes the Mercedes-Benz Fashion Week tents Thursday with a closed audience of American Express cardholders.
Fashion Week fall 2012: Carolina Herrera
By Samantha Critchell/AP Fashion Writer
NEW YORK — The best clothes enhance the wearer — her smile, her eyes, her outlook. Carolina Herrera’s fall collection offered Monday at New York Fashion Week highlighted what’s likely to be a trend for next season, and a welcome one at that: Modern styles that put the focus on a woman’s face thanks to high, interesting necklines.
No decollete and not a lot of leg, either. Attention was drawn upward as one model wore a hand-painted organza scarf with her navy wool suit with black grosgrain detail, and another wore a tweed suit with a fox-fur collar. There was a lovely lilac cashmere kaleidoscope-print scarf that complemented a cropped purple-wool jacket and slim silk mikado pant.
Herrera went with a more architectural silhouette than a frilly one, but as a seasoned supplier of chic clothes, she moves easily between the two looks. The finale ballgown in bright pink was worn off the shoulder with a folded fabric bodice. A key daytime outfit — something her luxury-seeking customers count on her for — was a navy knit turtleneck with a broadtail-fur (flat lambswool) front and an indigo-colored pencil skirt.
For the day-to-night lifestyle, there was a sparkly embroidered navy-colored cowl top worn under a knit coat.
She featured a series of abstract prints on her eveningwear, which made a statement on the catwalk at Mercedes-Benz Fashion Week but might be hard to appreciate in tighter quarters. But, alas, the Herrera woman lives in a world of grand entrances.
Herrera loyalist Renee Zellweger once again filled her spot in the front row.








