People Magazine has exclusive photos of Carrie Underwood’s wedding in its newest issue, including a picture of Underwood on its cover in her Monique Lhuillier Chantilly lace and silk organza gown.

Underwood told People that the dress was so large, she had to change into a more manageable cocktail dress for the reception.

USA Network has kept its tongue firmly planted in its cheek the past decade with a slew of crime shows that don’t take themselves too seriously. The trend started with “Monk” in 2002 and has continued with other gut-busters including “Burn Notice” and “Psych,” which sees its fourth season coming to DVD this month.

From Friday’s Weekend Look section of The Oklahoman

Fashion designer Tom Ford shows striking visual panache with his directorial debut, “A Single Man,” an impeccably designed film that displays real emotional substance alongside its carefully groomed exteriors.

Based on the 1964 novel by Christopher Isherwood, “A Single Man” tells the story of George Falconer (Colin Firth), a British professor at a Los Angeles college still reeling from the death of his partner, Jim (Matthew Goode), eight months previous.

From Friday’s Weekend Look section of The Oklahoman

Can it be a coincidence that the network formerly known as the Sci-Fi Channel changed its moniker to the inane Syfy the same day “Warehouse 13″ premiered? I think not.

“Warehouse 13,” which rivals its channel’s name for inanity, steals its premise from the final shot of “Raiders of the Lost Ark” and adds cheese to the proceedings.

Getting tired wondering when (if) the “Arrested Development” movie will come to fruition? Even ff they have to turn it into a 3-D action extravaganza to get this thing made, I’ll still be there on opening day.

— Dusty

2008′s hauntingly beautiful “Let the Right One In” was a sparse masterwork from Swedish director Tomas Alfredson. Well, the inevitable American remake is on its way, now known as “Let Me In,” and as the trailer makes abundantly clear, it’s directed by the same guy who made “Cloverfield.”

Alfredson made a vampire film that was striking more for its emotional vulnerability than its gory thrills; here’s betting that Matt Reeves won’t have the same deft touch.

After years of classic movie scenes being recreated with Legos (The “Monty Python and the Holy Grail” number below immediately springs to mind), Lego itself will get its chance on the silver screen.

Reuters reports that the Warner Bros. project has found a pair of directors in Phil Lord and Chris Miller, who directed last year’s animation hit “Cloudy With a Chance of Meatballs.”

Lord and Miller convinced Warner and Lego to get on board with a presentation that incorporates animation and live action in the same film.

Overwrought much? It’s not like the world needed another reason to take Facebook way too seriously.

“The Social Network,” directed by David Fincher, written by Aaron Sorkin and starring Jesse Eisenberg, opens in theaters Oct. 1. Can its pedigree overcome the fact that it’s a movie about Facebook?